I generally dislike breaking the fourth wall, unless it’s in a first person documentary (I’m one of the few who still champions Michael Moore). The idea is ripe for lazy exposition and on-the-nose cuteness, which is the way I find it used more often than not. However, in theory and in short bursts it can be a refreshing bit of self-conscious reflection, from the filmmaker by way of his mouthpiece character or clever blocking. That, amongst other reasons, is why this video is a perfect dosage: