Monthly Archives: July 2013

American Hustle Trailer

David O. Russell’s resurgence as Oscar darling has been something of a marvel and, to a degree, the most frustrating thing to happen to what was shaping up as a uniquely niche canon. His newest, the very subtly titled American … Continue reading

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Computer Chess

Andrew Bujalski’s whispery, tiny-budget films are, to some, representations of a predominantly white, late-20’s, well-educated perspective on a nation that’s become equal parts pacifying and challenging to that exact demographic. Perhaps the expectations of such films come less from the … Continue reading

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PTA’s Directs “Hot Knife”

Using black and white photography, split screens, close-ups, and lingering beats, Paul Thomas Anderson’s music video for Fiona Apple’s “Hot Knife” paints a deceptively simple portrait of a woman expressing uncontrollable desires for another. It’s not until the final minute, … Continue reading

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A Clip From Cuaron’s Gravity

In a recent interview, Alfonso Cuaron insisted Gravity was more “Spielberg than Cast Away.” Personally, I don’t think that’s necessarily a positive. Although Spielberg meets Cast Away would be just fine. I’m always wary of sci-fi, but this one has … Continue reading

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“Boogie Nights” Making-of Footage

The internet bestows another wonderful gift. Happy Friday.

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“So Hideously Easy”: L’Avventura

Michelangelo Antonioni’s L’Avventura poses as a confounding poetic film about the purposelessness of a select group of Italians with too little to worry about not to continuously worry about themselves. On the surface, this film could be taken as a … Continue reading

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Brando’s Rebel Without a Cause Screen Test

Here’s a screen test of 23-year-old Brando trying out for the lead in Rebel Without a Cause. Brando is always working. For better or worse, the guy never stopped. His performances are filled with textures and grays because so much … Continue reading

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12 Years a Slave Trailer

There may be no more personal, visceral, or artistic director currently circling the peripheries of mainstream pictures than Steve McQueen. While his newest, 12 Years a Slave, looks to be his most polished to date, his ascendance into this kind … Continue reading

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