Category Archives: 2013 Movies

Trailer for Spike Jonze’s Her

Spike Jonze has always perplexed me. While his features are nothing if not unique and filled with dynamic images, they have always felt like an extension of his early career as a music video director. Like David Fincher, he seems … Continue reading

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American Hustle Trailer

David O. Russell’s resurgence as Oscar darling has been something of a marvel and, to a degree, the most frustrating thing to happen to what was shaping up as a uniquely niche canon. His newest, the very subtly titled American … Continue reading

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Computer Chess

Andrew Bujalski’s whispery, tiny-budget films are, to some, representations of a predominantly white, late-20’s, well-educated perspective on a nation that’s become equal parts pacifying and challenging to that exact demographic. Perhaps the expectations of such films come less from the … Continue reading

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12 Years a Slave Trailer

There may be no more personal, visceral, or artistic director currently circling the peripheries of mainstream pictures than Steve McQueen. While his newest, 12 Years a Slave, looks to be his most polished to date, his ascendance into this kind … Continue reading

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Room 237

There’s a haunting simplicity to The Shining. Those words, combined with the director’s mysterious approach to discussing his films, makes this a work ripe for obsessives. The next gateway to obsession comes by way of accessibility. The Shining, dressed as … Continue reading

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Spring Breakers

Spring Breakers appears as a refreshing change for Harmony Korine, if only because for the first time in his strange filmmaking career, his battle of conspicuous storytelling tropes and self-aware naturalism collides in a way that adds up to something … Continue reading

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Bling Ring Trailer

By the looks of it, what with its long beat editing and key code burn-in, this teaser was culled together rather quickly. My guess is that the comparisons to Harmony Korine’s Spring Breakers will continue to be apparent and the … Continue reading

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Stoker

The tradition of Southern Gothic literature runs like an avoided shadow along the peripheries of great American art. Unlike, say, the cinema renaissance of the 70s or the Gatsby explosion of the 20s or Pollack and Hemingway’s high brow acceptance … Continue reading

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Thoughts on ‘No’

The question posed to me after screening No, the Chilean film up for Best Foreign Film at this year’s Academy Awards, was whether the film is cynical by pointing out that masses of people could only be mobilized for social … Continue reading

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The Gatekeepers

Sometimes watching a film on the big screen can make all the difference. I had seen Dror Moreh’s The Gatekeepers in tiny form some time ago and while I didn’t question the film’s emotional capacity, I identified it unfairly as a typical … Continue reading

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