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OSCAR 2015 (Predicted Winners in CAPS)
Best Picture:
BOYHOOD
Birdman
The Imitation Game
The Theory of Everything
American Sniper
The Grand Budapest Hotel
Selma
WhiplashBest Director:
RICHARD LINKLATER, BOYHOOD
Wes Anderson, The Grand Budapest Hotel
Alejandro González Iñárritu, Birdman
Bennett Miller, Foxcatcher
Morten Tyldum, The Imitation GameBest Actor:
MICHAEL KEATON, BIRDMAN
Benedict Cumberbatch, The Imitation Game
Eddie Redmayne, The Theory of Everything
Steve Carell, Foxcatcher
Bradley Cooper, American SniperBest Actress:
JULIANNE MOORE, STILL ALICE
Rosamund Pike, Gone Girl
Marian Cotillard, Two Days, One Night
Reese Witherspoon, Wild
Felicity Jones, The Theory of EverythingBest Supporting Actor:
Robert Duvall, The Judge
Ethan Hawke, Boyhood
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
J.K. SIMMONS, WHIPLASHBest Supporting Actress:
PATRICIA ARQUETTE, BOYHOOD
Laura Dern, Wild
Keira Knightley, The Imitation Game
Emma Stone, Birdman
Meryl Streep, Into The WoodsAdapted Screenplay:
Jason Hall, American Sniper
GRAHAM MOORE, THE IMITATION GAME
Paul Thomas Anderson, Inherent Vice
Anthony McCarten, The Theory of Everything
Damien Chazelle, WhiplashOriginal Screenplay:
Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr. and Armando Bo, Birdman
Richard Linklater, Boyhood
E. Max Frye and Dan Futterman, Foxcatcher
WES ANDERSON AND HUGO GUINESS, THE GRAND BUDAPEST HOTEL
Dan Gilroy, NightcrawlerBest Cinematography:
BIRDMAN, EMMANUEL LUBEZKI
The Grand Budapest Hotel, Robert Yeoman
Ida, Lukasz Zal and Ryszard Lenczewski
Mr. Turner, Dick Pope
Unbroken, Roger DeakinsCostume Design:
THE GRAND BUDAPEST HOTEL, MILENA CANONERO
Inherent Vice, Mark Bridges
Into the Woods, Colleen Atwood
Maleficent, Anna B. Sheppard and Jane Clive
Mr. Turner, Jacqueline DurranBest Production Design:
THE GRAND BUDAPEST HOTEL, ADAM STOCKHAUSEN (PRODUCTION DESIGN) AND ANNA PINNOCK (SET DECORATION)
The Imitation Game, Maria Djurkovic (production design) and Tatiana Macdonald (set decoration)
Interstellar, Nathan Crowley (production design) and Gary Fettis (set decoration)
Into the Woods, Dennis Gassner (production design) and Anna Pinnock (set decoration)
Mr. Turner, Suzie Davies (production design) and Charlotte Watts (set decoration)Best Film Editing:
American Sniper, Joel Cox and Gary D. Roach
BOYHOOD, SANDRA ADAIR
The Grand Budapest Hotel, Barney Pilling
The Imitation Game, William Goldenberg
Whiplash, Tom CrossBest Original Score:
The Grand Budapest Hotel, Alexandre Desplat
The Imitation Game, Alexandre Desplat
Interstellar, Hans Zimmer
Mr. Turner, Gary Yershon
The Theory of Everything, Jóhann JóhannssonBest Original Song:
“Everything Is Awesome” in “The Lego Movie”
"GLORY" IN "SELMA"
“Grateful” in “Beyond the Lights”
“I’m Not Gonna Miss You” in “Glen Campbell … I’ll Be Me”
“Lost Stars” in “Begin Again”Best Documentary Feature:
CITIZENFOUR
Finding Vivian Maier
Last Days in Vietnam
The Salt of the Earth
VirungaBest Documentary Short:
CRISIS HOTLINE: VETERANS PRESS 1
Joanna
Our Curse
The Reaper (La Parka)
White EarthBest Animated Feature:
Big Hero 6
The Boxtrolls
HOW TO TRAIN YOUR DRAGON 2
Song of the Sea
The Tale of the Princess KaguyaBest Foreign Film:
Ida (Poland)
Leviathan (Russia)
Tangerines (Estonia)
Timbuktu (Mauritania)
WILID TALEs (ARGENTINA)Best Visual Effects:
Captain America: The Winter Soldier, Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick
Dawn of the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist
Guardians of the Galaxy,” Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould
Interstellar, PAUL FRANKLIN, ANDREW LOCKLEY, IAN HUNTER AND SCOTT FISCHER
X-Men: Days of Future Past, Richard Stammers, Lou Pecora, Tim Crosbie and Cameron WaldbauerBest Sound Editing:
AMERICAN SNIPER, ALAN ROBERT MURRAY AND BUB ASMAN
Birdman, Martín Hernández and Aaron Glascock
The Hobbit: The Battle of the Five Armies, Brent Burge and Jason Canovas
Interstellar, Richard King
Unbroken, Becky Sullivan and Andrew DeCristofaroBest Sound Mixing:
Ameircan Sniper, John Reitz, Gregg Rudloff and Walt Martin
Birdman, Jon Taylor, Frank A. Montaño and Thomas Varga
Interstellar, Gary A. Rizzo, Gregg Landaker and Mark Weingarten
Unbroken, Jon Taylor, Frank A. Montaño and David Lee
WHIPLASH, CRAID MANN, BEN WILKINS AND THOMAS CURLEYBest Makeup and Hairstyling:
Foxcatcher, Bill Corso and Dennis Liddiard
The Grand Budapest Hotel, Frances Hannon and Mark Coulier
GUARDIANS OF THE GALAXY, ELIZABETH YIANNI-GEORGIEU AND DAVID WHITELive Action Short Film:
Aya
Boogaloo and Graham
Butter Lamp (La Lampe au Beurre de Yak)
Parvaneh
THE PHONE CALLAnimated Short Film:
The Bigger Picture
The Dam Keeper
FEAST
Me and My Moulton
A Single Life
Tag Archives: Bound For Glory
Those Oscar Missed: Best Film Editing
CONTRIBUTED BY JAKE THOMPSON Best Film Editing is one of the more creative Oscar categories. Film editing itself is an art form that is unique to cinema, although there is a similarity to the editing process when it comes to … Continue reading →
Posted in Oscar Talk
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Tagged 127 Hours, A Passage To India, Academy Awards, All the President's Men, Amadeus, An Officer and a Gentleman, Apocalypse Now, As Good As It Gets, Barry Malkin, Beach Red, Best Film Editing, black swan, Blazing Saddles, Bound For Glory, Breathless, Broadcast News, Chinatown, Doctor Dolittle, Duck You Sucker, Earthquake, Films, French New Wave, Grand Prix, Guess Who's Coming To Dinner, Henry Berman, In the Heat of the Night, Inception, John Boorman, Kingdom of Heaven, Master and Commander: The Far Side of the World, Movies, Network, Once Upon A Time In America, oscar, Point Blank, Rocky, Romancing the Stone, Sergio Leone, Snubs, Taxi Driver, Terms of Endearment, The Cotton Club, The Dark Knight, The Deer Hunter, The Dirty Dozen, The Fighter, The Godfather, The Killing Fields, The King's Speech, The Longest Yard, The Right Stuff, The Social Network, The Towering Inferno, Tom Rolf, Two-Minute Warning
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Those Oscar Missed: Best Cinematography
Cinematography is such an important part of a film. In many ways it can define it, used by the director to let us see what he/she wants us to see and not see. There are so many terrific examples of … Continue reading →
Posted in Best Cinematography, Oscar Talk
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Tagged A Patch of Blue, A Star Is Born, Akira Kurosawa, Alfred Hitchcock, Auntie Mame, Avatar, Barry Ackroyd, Bela Lugosi, best cinematography, Billy Crudup, Black Narcissus, Bound For Glory, Bruno Delbonnel, Cat On A Hot Tin Roof, Christian Berger, Citizen Kane, Coal Miner's Daughter, Don Burgess, Ed Wood, Ernest Laszlo, Forrest Gump, Funny Face, Geoffrey Unsworth, Ghislain Cloquet, Gigi, Harry Potter and the Half-Blood Prince, Harry Stradling, Haskell Wexler, Inglourious Basterds, James Crabe, James Wong Howe, John Toll, Joseph Ruttenberg, Kagemusha, King Kong, Kingdom of Heaven, Larry Fong, Legends of the Fall, Leon Shamroy, Logan's Run, Mauro Fiore, Michael Chapman, Nestor Almendros, Network, Oscar Snubs, Owen Roizman, Piotr Sobocinski, Raging Bull, Ralf D. Bode, Ran, Rear Window, Richard H. Kline, Road To Perdition, Robert Burks, robert richardson, Robert Surtess, Roger Deakins, Shoji Ueda, South Pacific, Strangers On A Train, Superman, Takao Saito, Taxi Driver, Tess, The Blue Lagoon, The Formula, The Fugitive, The Hurt Locker, The Old Man and the Sea, The Searchers, The Shawshank Redemption, The White Ribbon, Three Colors: Red, To Catch A Thief, To Kill A Mockingbird, Vertigo, VistaVision, Watchmen, Wyatt Earp
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YARDS OF GRAPEVINE | Movies, TV, Oscars & S'more 