Tag Archives: Chinatown

Those Oscar Missed: Best Film Editing

Posted on December 18, 2012 by filmscorehunter

CONTRIBUTED BY JAKE THOMPSON Best Film Editing is one of the more creative Oscar categories. Film editing itself is an art form that is unique to cinema, although there is a similarity to the editing process when it comes to … Continue reading →

Posted in Oscar Talk | Tagged 127 Hours, A Passage To India, Academy Awards, All the President's Men, Amadeus, An Officer and a Gentleman, Apocalypse Now, As Good As It Gets, Barry Malkin, Beach Red, Best Film Editing, black swan, Blazing Saddles, Bound For Glory, Breathless, Broadcast News, Chinatown, Doctor Dolittle, Duck You Sucker, Earthquake, Films, French New Wave, Grand Prix, Guess Who's Coming To Dinner, Henry Berman, In the Heat of the Night, Inception, John Boorman, Kingdom of Heaven, Master and Commander: The Far Side of the World, Movies, Network, Once Upon A Time In America, oscar, Point Blank, Rocky, Romancing the Stone, Sergio Leone, Snubs, Taxi Driver, Terms of Endearment, The Cotton Club, The Dark Knight, The Deer Hunter, The Dirty Dozen, The Fighter, The Godfather, The Killing Fields, The King's Speech, The Longest Yard, The Right Stuff, The Social Network, The Towering Inferno, Tom Rolf, Two-Minute Warning | 1 Comment

Variety’s Ten Greatest Scores

Posted on November 15, 2012 by Zac Petrillo

In a recent music-centric article, Variety polled 40 composers about the best scores of all time. The article also contains nice tidbits about this year’s Oscar race – including write-ups about Benh Zeitlin’s “Gumbo” style in Beast of the Southern … Continue reading →

Posted in Best Original Score, Films, Movies, Oscar Talk | Tagged Academy Awards, Bernard Herrmann, best original score, Chinatown, cinema, E.T., Ennio Morricone, Films, Jerry Goldsmith, john williams, Movies, Once Upon A Time In The West, oscars, Plaet of the Apes, Psycho, Star Wars, The Empire Strikes Back, The Mission, The Shawshank Redemption, Vertigo | Leave a comment

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